The romantic 3D views of people staring at the landscape are at the same time a personal reflection on the dematerialization of the sculpture as well as an effort to rediscover the meaning of a walk as an experience that can be used to step out of everyday life. Gabriel's sculptural paintings work with the motif of the romantic suspension of a person facing the landscape, which in this case is inspired by Šumava mysticism. A synthetic landscape distilled from polygons appears to be artificial in every way, but the opposite is true. Not only is it anchored in Michal Gabriel's personal mythology and resonates with his experiences and memories from his childhood, but it is also modeled on real Radek Wohlmuth (born 1967) is a Czech art historian, art critic and publicist. motifs from forest interiors – trees, mushrooms and Šumava menhirs with names handed down for generations: Goddess, Moon Monk and Wind Stone, Opener of Hearts, after which the entire project was named.

Gabriel's "sculptural postcards" thus create a spatial album of separate pilgrimage stops or unexpected natural encounters of specific people taken out of their daily routine and ordinary civilized environment. However, these romantic motifs of pilgrimage also take on less traditional forms here, for example in the form of cycling. Sorting the dioramas one after the other in a circling line can evoke precisely a gradual pilgrimage through the landscape, which the visitors can experience through these "sculptural postcards".